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The Rhetorical Situation

Introduction

No matter what specific direction your essay takes, your points and observations will revolve around the rhetorical situation of the document you are analyzing. A rhetorical situation occurs when an author, an audience, and a context come together and a persuasive message is communicated through some medium. Therefore, your rhetorical analysis essay will consistently link its points to these elements as they pertain to the document under question. More general information about the rhetorical situation can be elsewhere on the OWL. The following sections deal with considerations unique to analyzing visual documents.

Audience

The audience is the group of people who may or may not be persuaded by the document. Analyzing the audience for a visual production may not be all too different from analyzing an audience for a solely textual work. However, unlike academic essays or short answers written on an examination, visual productions often have the potential to reach wider audiences. Additionally, unlike literature or poetry, visual documents are often more ingrained in our daily lives and encountered instead of sought.

A website might potentially have an audience of anyone with internet access; however, based on the site, there are audiences more likely to end up there than others. A pamphlet or flyer may also technically have an audience of anyone who finds it; however, their physical placements may provide clues for who the designer would most like to see them. This is often called a “target audience.” Identifying and proving the target audience may become a significant portion of your rhetorical analysis.

It’s best to think of audience analysis as seeking and speculating about the variables in people that would make them read the same images in different ways. These variables may include but are not limited to: region, race, age, ethnicity, gender, income, or religion. We are accustomed to thinking these variables affect how people read text, but they also affect how people interpret visuals.

Here are some tips and questions for thinking about the audience of visual documents (they are also tips you can use when composing your own).

Purpose

Visual productions have almost limitless purposes and goals. Although all parts of the rhetorical situation are linked, purpose and audience tend to be most carefully intertwined. The purpose is what someone is trying to persuade the audience to feel, think, or do. Therefore, a well produced document will take into account the expectations and personalities of its target audience. Below are four categories of purposes and example questions to get you thinking about the rhetorical use of visuals. Note: a document may cross over into multiple categories.

Informational: documents that seek to impart information or educate the audience

Examples: Brochures, Pamphlets, PowerPoint presentations

Inspirational: documents that primarily inspire emotion or feeling often without clearly predetermined goals or purposes

Examples: Photography, Paintings, Graffiti

Motivational: documents that spur direct action, attendance, or participation

Examples: Advertisements, Flyers, Proposals

Functional: documents that aid in accomplishing tasks

Examples: Instruction Sets, Forms, Applications, Maps

As you may see, analyzing how a document’s purpose is rhetorically accomplished to persuade its audience can involve many factors. Search the owl for more information on some of the concepts mentioned in these questions.

Context

Context refers to the circumstances of the environment where a piece of communication takes place. Sometimes the author has a measure of control over this context, like within the confines of a presentation (where, of course, there will still be some factors beyond control). Other times,a document is specifically made for an audience to encounter on their own terms. Either way, context is an important part of the rhetorical situation and can easily make or break the effectiveness of a document’s message.

Below are some questions to get you thinking about the possibilities and pitfalls when analyzing the context of a visual document.

Resources

Communication

Campus

CLA Resources

People

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